RME Fireface UCX

36-KANAL, 24-BIT/192KHZ HIGH-END USB & FIREWIRE AUDIO INTERFACE

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The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.

In doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.
 
The result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes. With the Fireface UCX RME reinvented an already perfect product, by improving existing features and characteristics plus adding sophisticated new ones.

FEATURES

  • Low Latency mastering grade converters with outstanding specifications.

  • Two mic preamps with the premium technology from RME's high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection.

  • A newly developed Hammerfall audio core, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols.

  • TotalMix FX with the complete Fireface UFX DSP engine, including all effects up to 192 kHz.
    Monitoring Controller: combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Remote Control.

  • RME's unique DIGICheck metering and analysis toolbox for Windows PC and Mac.

  • Plus support for RME's Advanced Remote Control, active jitter suppression technology, professional reference level support, advanced stand-alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I/Os.

  • On top of it: The Fireface UCX is the first professional audio interface with Class Compliant mode to work with Apple's iPad, for perfect stereo up to 18 channel recording and playback, and the addition of truly professional I/Os.

So the UCX is a half rack unit, which is actually more powerful, than most 19 inch units. All in all the Fireface UCX is the new compact-sized dream interface, created with care for every detail, and a new premium solution for any desktop and live usage, without compromises in sound, stability and ultra-low latency operation.

CONNECTIVITY

  • 18 Input / 18 Output channels
  • 8 x Analog I/O
  • 2 x Mic/ Line Preamps, digitally controlled
  • 2 x Line / Instrument inputs, digitally controlled
  • 1 x SPDIF I/O coaxial
  • 1 x ADAT I/O (or 1 x SPDIF I/O optical)
  • 1 x Wordclock I/O
  • 2 x MIDI I/O (via breakout cable)
  • 1 x FireWire 400
  • 1 x USB 2.0 (USB3 cpmpatible)
  • optional: Advanced Remote Control
  • TotalMix FX (with UFX effects engine)

INPUTS AND OUTPUTS

The UCX provides 36 channels of audio - 18 I/Os. All channels can be used at the same time. Up to 8 analog and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.

Mic/Instrument-Preamps with AutoSet

Quality over quantity . The UCX provides two high-end mic and instrument preamps - built right into the front.

Like the famous UFX ones, both preamps use core technology of RME's Micstasy. A high-end preamp for supreme sonic demands and critical applications, like professional recordings of classical and acoustic music. The outstanding preamp design boasts extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.

AutoSet . The UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Micstasy and the UFX. Usually a limiter is used during the recording to prevent clipping of the A/D converter stage. But analog processing would not only spoil the excellent technical specifications of the UCX mic preamps but also alter the original sound.

Thanks to digitally controlled gain the UCX can reduce the gain automatically, thus providing perfect protection from overload with no degradation of the audio signal, which does not have to pass any additional electronic circuitry. Additionally AutoSet does not cause any of the control noises known from usual limiters. SNR and THD stay completely unchanged.

 

RME TotalMix FX

RME TotalMix

The UCX provides the complete effects engine of the Fireface UFX - all effects are available at all sample rates.

The DSP-based TotalMix mixer supports fully independent routing and mixing of all 18 input and playback channels to all 18 physical outputs. Up to 9 totally independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.

And there is more: TotalMix FX delivers hardware mixing/routing with lots of new features and a highly improved usability.

Every input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by way of a stereo send and return bus. The UCX easily surpasses the competition by offering all these effects even at 192 kHz operation.

Two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels at all sample rates, completely unlimited. The second dedicated DSP only renders effects, and therefore always has sufficient resources. For example, at 48 kHz 36 EQs, 36 Low Cuts, 26 Compressors and Echo can be activated. With activated Reverb and Echo still 36 EQs, 36 Low Cuts and 16 Compressors are available.

The FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the UCX automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents any possible damage to loudspeakers due to distortion.

The complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e. g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording room.

Furthermore, the DSP hardware calculates RMS and Peak levels for all 54 level meters, so there is zero CPU load on the host. The main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.

RME FIREFACE UCX

36-KANAL, 24-BIT/192KHZ HIGH-END USB & FIREWIRE AUDIO INTERFACE

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